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The Killing Kind


The Killing Kind
(US)
 
The Killing Kind
(UK)

This is a honeycomb world. It hides a hollow heart.

The truth of nature, wrote the philosopher Democritus, lies in deep mines and caves. The stability of what is seen and felt beneath our feet is an illusion, for this life is not as it seems. Below the surface, there are cracks and fissures and pockets of stale, trapped air; stalagmites and helactites and unmapped dark rivers that flow ever downward. It is a place of caverns and stone waterfalls, a labyrinth of crystal tumors and frozen columns where history becomes future, then becomes now.

For in total blackness, time has no meaning.

The present is imperfectly layered on the past; it does not conform flawlessly at every point. Things fall and die and their decay creates new layers, thickening the surface crust and adding another thin membrane to cover what lies beneath, new worlds resting on the remains of the old. Day upon day, year upon year, century upon century, layers are added and the imperfections multiply. The past never truly dies. It is there, waiting, just below the surface of the now. We stumble into it occasionally, all of us, through remembrance and recall. We summon to mind former lovers, lost children, departed parents, the wonder of a single day when we captured, however briefly, the ineffable, fleeting beauty of the world. These are our memories. We hold them close and call them ours, and we can find them when we need them. But sometimes that choice is made for us: a piece of the present simply falls away, and the past is exposed like old bone. Afterward, nothing can ever be the same again, and we are forced to reassess the form of what we believed to be true in the light of new revelations about its substance. The truth is revealed by a misstep and the fleeting sense that something beneath our feet rings false. The past bubbles out like molten lava, and lives turn to ash in its path.

* * *

This is a honeycomb world. Our actions echo through its depths.

Down here, dark life exists: microbes and bacteria that draw their energy from chemicals and natural radioactivity, older than the first plant cells that brought color to the world above. Every deep pool is alive with them, every mine shaft, every ice core. They live and die unseen.

But there are other organisms, other beings: creatures that know only hunger, entities that exist purely to hunt and kill. They move ceaselessly through the hidden cavities, their jaws snapping at the endless night. They come to the surface only when they are forced to do so, and all living things flee from their path.

They came for Alison Beck.

Dr. Beck was sixty and had been performing abortions since 1974, in the immediate aftermath of Roe v. Wade. As a young woman she had become involved in Planned Parenthood following the rubella epidemic of the early 1960s, when thousands of American women delivered babies with serious birth defects. She had progressed to outspoken membership of NOW and the National Association for the Repeal of Abortion Laws before the changes for which they fought enabled her to establish her own clinic in Minneapolis. Since then, she had defied Joseph Scheidler's Pro-Life Action Network, his sidewalk counselors and bullhorn mafia, and had stood head-to-head with Randall Terry when Operation Rescue tried to blockade her clinic in 1989. She had fought against the Hyde amendment of '76, which cut off Medicaid funding for abortions, and had cried when the antiabortionist C. Everett Koop became U.S. surgeon general. On three separate occasions butyric acid had been injected into the clinic walls by antiabortion activists, forcing it to close its doors for days until the fumes had dispersed. The tires on her car had been slashed more times than she could count, and only the toughened glass on the clinic window had prevented an incendiary device housed in a fire extinguisher from burning the building to the ground.

But in recent years the strain of her profession had begun to tell and she now looked much older than her years. In almost three decades, she had enjoyed the company of only a handful of men. David had been the first, and she had married him, and loved him, but David was gone now. She had held him as he died, and she still kept the shirt he had worn on that day, the bloodstains like the shadows of dark clouds floating across its once pristine whiteness. The men that followed offered many excuses for departing but, in the end, all the excuses could be distilled down to one simple essence: fear. Alison Beck was a marked woman. She lived each day in the knowledge that there were those who would rather see her dead than have her continue her work, and few men were willing to stand beside such a woman.

She knew the statistics off by heart. There had been twenty-seven cases of extreme violence against American abortion clinics in the previous year, and two doctors had died. Seven abortion doctors and assistants had been killed in the preceding five years, and many others injured in bombings and shootings. She knew all of this because she had spent over twenty years documenting the incidences of violence, tracing common factors, establishing connections. It was the only way that she could cope with the loss of David, the only means she had of making sure that some small good might arise from the ashes of his death. Her research had been used to support the abortion providers' successful invocation of the RICO antiracketeering laws in their fight against their opponents, alleging a nationwide conspiracy to close down clinics. It had been a hard-won victory.

But slowly, another, more indistinct, pattern had begun to emerge: names recurring and echoing down the canyons of the years, figures half-glimpsed in the shadows of violent acts. The convergences were visible in barely half a dozen cases, but they were there. She was certain of it, and the others seemed to agree. Together, they were drawing closer and closer to the truth.

But that brought with it its own dangers.

Alison Beck had an alarm system in her home, linked directly to a private security firm, and two armed guards were always on duty at the clinic. In her bedroom closet was an American Body Armor bullet-proof vest, which she wore while traveling to and from the clinic despite the discomfort involved. Its twin hung on a steel rail in her consulting room. She drove a red Porsche Boxster, her only true indulgence. She collected speeding tickets the way other people collected stamps.

Alison was a conservative dresser. She typically wore a jacket, unbuttoned, which hung to midthigh level. Beneath the jacket she wore pants with either a brown or a black belt, depending on the color of her ensemble. Attached to the belt was an Alessi holster containing a Kahr K40 Covert pistol. The Kahr held a five-round magazine of .40 ammunition. Beck had tried using six rounds for a time, but found that the extended magazine sometimes caught in the folds of her shirt. The Kahr had an abbreviated grip that suited her small hands, for Alison Beck was just a shade over five feet tall and slightly built. On a range, with the Kahr's smooth double-action trigger pull, she could put the five rounds through the heart of a target thirty feet away in under eight seconds.

Her shoulder bag contained a can of Mace and a stun gun that could send a 20,000-volt charge through a man and leave him gasping and quivering on the ground like a stranded fish. While she had never fired her gun in anger, she had been forced to use the Mace on one occasion when an antiabortion protester had tried to force his way into her home. Later she recalled, with a twinge of shame, that Macing him had felt good. She had chosen her life—that she simply could not deny—but the fear and the anger at the restrictions it had imposed upon her, and the hatred and animosity of those who despised her for what she did, had affected her in ways she did not like to admit. That November evening, with the Mace in her hand and the short, bearded man howling and crying in her hallway, all of that tension and anger had exploded from her through the simple action of pressing a plastic button.

Alison Beck was a familiar figure, a public figure. Although based in a leafy street in Minneapolis, she traveled twice each month to South Dakota, where she conducted a clinic at Sioux Falls. She appeared regularly on local and national television, campaigning against what she perceived as the gradual erosion of women's right to choose. Clinics were closing, she had pointed out on the local NBC affiliate only the previous week, and now 83 percent of U.S. counties had no abortion services. Three dozen congressmen, a dozen senators, and four governors were openly antichoice. Meanwhile, the Roman Catholic Church was now the largest private healthcare provider in America, and access to abortion services, sterilization, birth control and in vitro fertilization was becoming increasingly limited.

Yet faced with a pleasant, soft-spoken young woman from Right to Life of Minnesota, who concentrated on the health issues for women and the changing attitudes of a younger generation that could not remember the days before Roe v. Wade, Alison Beck had begun to feel that it was she, the campaigning doctor, who now sounded strident and intolerant, and that perhaps the tide was turning more than she realized. She admitted as much to friends, in the days before she died.

But something else had given her cause to feel afraid. She had seen him again, the strange red-haired man, and she knew that he was closing in on her, that he intended to move against her and the others before they could complete their work.

But they can't know, Mercier had tried to reassure her. We've made no move against them yet.

I tell you, they know. I have seen him. And...

Yes?

I found something in my car this morning.

What? What did you find?

A skin. I found a spider skin.

Spiders grow by shedding their old exoskeleton and replacing it with a larger, less constraining hide, a process known as ecdysis. The discarded skin, or exuvium, that Alison Beck had found on the passenger seat of her car belonged to a Sri Lankan ornamental tarantula, Poecilotheria fasciata, a beautifully-colored but temperamental arachnid. The species had been specifically selected for its capacity to alarm: its body was about two and a half inches in length, marked with grays, blacks and creams, and its legspan was almost four inches. Alison had been terrified, and that terror had only slightly abated when she realized that the shape beside her was not a living, breathing spider.

Mercier had gone silent, then, before advising her to go away for a time, promising that he would warn their associates to be vigilant.

And so Alison Beck had, in that final week, decided to take her first vacation in almost two years. She intended to drive to Montana, stopping off along the way for the first week, before visiting an old college friend in Bozeman. From there, the two of them planned to travel north to Glacier National Park if the roads were passable, for it was only April and the snows might not yet have completely melted.

When Alison did not arrive on that Sunday evening as she had promised, her friend was mildly concerned. When, by late Monday afternoon, there was still no word from her, she phoned the headquarters of the Minneapolis PD. Two patrol officers, Ames and Frayn, familiar with Alison from previous incidents, were assigned to check on her home at West Twenty-sixth Street.

Nobody answered the doorbell when they rang, and the garage entrance was firmly locked. Ames cupped his hands and peered through the glass into the hallway. In the open doorway leading into the kitchen were two suitcases, and a kitchen chair lay on the floor with its legs toward the wall. Seconds later, Ames had slipped on his gloves, broken a side window, and, his gun drawn, entered the house. Frayn made his approach from the rear and came in through the back door. The house was a small two-story, and it didn't take the policemen long to confirm that it was empty. From the kitchen, a connecting door led into the garage. Through the frosted glass, the lines of Alison Beck's Boxster were clearly visible.

Ames took a breath and opened the door.

The garage was dark. He removed his flashlight from his belt and twisted it on. For a moment, as its beam hit the car, he wasn't sure what he was seeing. He believed initially that the windshield was cracked, for thin lines spread in all directions across it, radiating from irregular clumps dotted like bullet-holes across the glass and making it impossible to see the interior of the car. Then, as he drew nearer the driver's door, he thought instead that the car had somehow filled with cotton candy, for the windows appeared to be coated on the inside with soft white strands. It was only when he shined the light close to the windshield and something small and brown darted across the pane that he recognized it for what it was.

It was spiderweb, its filaments gilded with silver by the flashlight's beam. Beneath the weave, a dark shape sat upright in the driver's seat.

"Dr. Beck?" he called. He placed his gloved hand on the door handle and pulled.

There came the sound of sticky strands breaking, and the silken web flailed at the air as the door opened. Something dropped at Ames's feet with a soft, barely audible thud. When he looked down, he saw a small brown spider making its way across the concrete floor toward his right foot. It was a recluse, about half an inch in length, with a dark groove running down the center of its back. Instinctively, Ames raised his steel-capped shoe and stamped down on it. For a brief moment he wondered if his action constituted a destruction of evidence, until he looked into the interior of the car and realized that, for all its effect, he might just as easily have stolen a grain of sand from the seashore or pilfered a single drop of water from the ocean.

Alison Beck had been stripped to her underwear and tied to the driver's seat. Gray masking tape had been wrapped around her head, covering her mouth and anchoring her to the seat. Her face was swollen almost beyond recognition, her body mottled with decay, and there was a square of exposed red flesh just below her neck where a section of skin had been removed.

Yet the disintegration of her body was masked by the fragments of web that covered her in a tattered white veil, her face almost concealed beneath the dense pockets of thread. All around her, small brown spiders moved on arched legs, their palps twitching as they sensed the change in the air; others remained huddled in dark recesses, orange egg sacs dangling beside them like bunches of poisonous fruit. The husks of drained insects speckled the snares, interspersed with the bodies of spiders who had been preyed upon by their own kind. Fruit flies flitted around the seats, and Ames could see decaying oranges and pears on the floor by Alison Beck's feet. Elsewhere invisible crickets chirped, part of the small ecosystem that had been created inside the doctor's car, but most of the activity came from the compact brown spiders who busied themselves around Alison Beck's face, dancing lightly across her cheeks and her eyelids, continuing the construction of the irregular webs that coated the inside of the car with thread.

But there was one last surprise for those who found Alison Beck. When the masking tape was removed from her face and her mouth was opened during the autopsy, small black-and-red balls tumbled from her lips and lay like misshapen marbles on the steel table. There were more lodged in her thorax and trapped beneath her tongue. Some had caught in her teeth, crushed as her mouth convulsed when the biting began.

Only one was still alive: it was discovered in her nasal cavity, its long, black legs curled in upon itself. When the tweezers gripped the spherical abdomen it struggled feebly against the pressure, the red hourglass on its underside like the relic of a life suddenly stopped.

And in the harsh light of the autopsy room, the eyes of the black widow gleamed like small, dark stars.

* * *

This is a honeycomb world. History is its gravity.

In the far north of Maine, figures move along a road, silhouetted against the early-morning sun. Behind them are a bulldozer and a cherry picker and two small trucks, the little convoy making its way along a county road toward the sound of lapping water. There is laughter and swearing in the air, and plumes of cigarette smoke rising to join with the morning fog. There is room for these men and women in the bed of the truck but they choose instead to walk, enjoying the feel of the ground beneath their feet, the clean air in their lungs, the camaraderie of those who will soon perform hard physical labor together but are grateful for the sun that will shine gently upon them, the breeze that will cool them in their work, and the friendship of those who walk by their side.

There are two groups of workers here. The first are line clearers, jointly employed by the Maine Public Service Company and the New England Telephone and Telegraph Company to cut back the trees and brush alongside the road. This is work that should have been completed in the autumn, when the ground was dry and clear, not at the end of April when frozen, compacted snow still lay on the high ground and the first buds had already begun to sprout from the branches. But the line clearers have long since ceased to wonder at the ways of their employers and are content simply that there is no rain falling upon them as they traipse along the blacktop.

The second group consists of workmen employed by one Jean Beaulieu to clear vegetation from the banks of St. Froid Lake in preparation for the construction of a house. It is simply coincidence that both groups of men have taken to the same stretch of road on this bright morning, but they mingle as they go, exchanging comments about the weather and lighting one another's cigarettes.

Just outside the little town of Eagle Lake, the workers turn west onto Red River Road, the Fish River flowing at their left, the red brick edifice of the Eagle Lake Water and Sewage District building to their right. A small wire fence ends where the river joins St. Froid Lake, and houses begin to appear along the bank. Through the branches of the trees, the glittering surface of the water can be glimpsed.

Soon the noise of their passing is joined by another sound. On the ground above them, shapes appear from wooden kennels: gray animals with thick fur and keen, intelligent eyes. They are wolf hybrids, each chained to a iron ring outside its kennel, and they bark and howl as the men and women walk below them, their chains jangling as they strain to reach the intruders. The breeding of such hybrids is relatively common in this part of the state, a regional peculiarity surprising to strangers. Some of the workers stop and watch, one or two taunting the beasts from the safety of the road, but the wiser ones move on. They know that it is better to let these animals be.

The work commences, accompanied by a chorus of engines and shouts, of picks and shovels breaking the ground, of chain saws tearing at branches and tree trunks; and the smells of diesel fumes and sweat and fresh earth mingle in the air. The sounds drown out the rhythms of the natural world: the wood frogs clearing their throats, the calls of hermit thrushes and winter wrens, the crying of a single loon out on the water.

The day grows short, the sun moving west across the lake. On Jean Beaulieu's land a man removes his yellow hard hat, wipes his brow on his sleeve, and lights a cigarette before making his way back to the bulldozer. He climbs into the cab and slowly starts to reverse, the harsh buzz of the engine adding its guttural notes to the sounds of men and nature. The howling from above begins again, and he shakes his head wearily at the man in the cherry picker nearby.

This ground has lain undisturbed for many years. The grass is wild and long, and the bushes cling tenaciously to the hard earth. There is no reason for the man in the cab to doubt that the bank upon which he stands is solid, until an alien clamor intrudes on the rustling of the evergreens and the sawing of the clearers. The bulldozer makes a high, growling din, like an animal in panic, as huge quantities of earth shift. The howling of the hybrids increases in intensity, some turning in circles or wrenching again at their chains as they register the new sounds.

The roots of a white spruce are exposed as a section of the riverbank collapses, and the tree topples slowly into the water, sending ripples across the still surface of the lake. Beside it, the bulldozer seems to hang suspended for a moment, one track still clinging to the ground, the other hanging over empty space, before it tumbles sideways, its operator leaping to safety, falling away from the vehicle as it turns and lands with a loud splash in the shallows. Men drop their tools and start running. They scramble to the new verge, where brown water has already rushed in to exploit the sudden expansion of the banks. Their colleague raises himself, shivering and soaked, from the lake, then grins embarrassedly and raises a hand to let them know that he is okay. The men crowd the bank, looking at the stranded bulldozer. One or two cheer desultorily. To their left, another huge slab of earth crumbles and falls into the water, but they hardly notice, their efforts are so focused on helping their comrade out of the cold water.

But the man in the cherry picker is not looking at the bulldozer, or at the arms reaching out to pull the drenched figure from the water. He stands unmoving, the chain saw in his hands, and looks down on the newly exposed bank. His name is Lyall Dobbs. He has a wife and two children and, at this moment, he desperately wishes that he were with them. He desperately wishes he were anywhere but staring down at the banks of St. Froid, at the darkened bones revealed among the tree roots and broken earth, and the small skull slowly disappearing beneath the cold waters of the lake.

"Billy?" he shouts.

Billy Laughton, the foreman of the clearing crew, turns away from the crowd of men by the shore, shaking his head in bemusement.

"Yeah?"

There is no further word for a moment. Lyall Dobbs's throat is suddenly too dry to produce sound. He swallows, then resumes.

"Billy, we got a cemetery round here?"

Laughton's brow furrows. From his pocket he takes a folded map and examines it briefly. He shakes his head at the other man.

"No," he replies simply.

Dobbs looks at him, and his face is pale.

"Well, we do now."

* * *

This is a honeycomb world.

You must be careful where you step.

And you must be ready for what you might find.

© John Connolly 2001


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